Plaease answer four questions that are in the assignment Coursework

Plaease answer four questions that are in the assignment - Coursework Example The diarthrodial joint between the forearm and humerus allows a hinge movement with the help of their lubricating fluid for the adduction and abduction movements to be possible (Tortora, 2008). Part 2: As the individual drinks water, the liquid enters the mouth passing through the esophagus to the stomach. From the stomach, the water travels to the small intestines while it begins to be absorbed in the stomach through diffusion and osmosis. The water is carried to the blood stream to continue its travel to the renal system. It is filtered out of the blood because of gradient pressure and carried to the renal artery to reach the glomerulus. Leaving this body part, the blood’s next destination is the Bowman’s capsule. From here, the water traverses the kidney tubule to approach the collecting tubules. However, not all waste fluid may arrived at the next stop because important substances still has to be reabsorbed back to the blood (Wagman, 1992). The rest which are waste products continue their journey to the collecting tubules until they enter the renal pelvis where they will spend some of their time. The waste liquid referred to as urine is slowly collected to the bladder to be expelled out of the body when it reaches its maximum amount via the ureters.

Why did the Soviet Union collapse Essay Example | Topics and Well Written Essays - 1250 words

Why did the Soviet Union collapse - Essay Example The Union of Soviet Socialist Republics was founded in the year of 1922 after the Bolshevik Revolution. The USSR had a great impact on the political affairs of the world ever since but could not maintain this impact after its downfall. The Soviet Union underwent a rapid collapse in the late twentieth century which was inevitable due to the policies and conditions that Russia was undergoing in these times. After the World War II the Soviet Union turned out to be a super power which was becoming a threat for the United States and for this reason many blame the United States to be the main cause of Russian collapse. The Soviet power was never able to expand much under the influence of the U.S agenda. It was under the leadership of Mikhail Gorbachev that Russia began to undergo a political change which could not be handled and thus led to a political turmoil. The United States itself did not play a direct role in the collapse of Soviet Union but it did play an indirect role in the collap se. This essay would further revolve around the factors which led to the collapse of the Soviet Union (Watson 1998; Weiss 2009). To understand the massive collapse of the Soviet Union one has to understand the basic principles on which the country was made. From a historical point of view it can be seen that the Soviet Union consisted of people belonging to different ethnicities and races. The political ideology of the country was based on the principles of communism in accordance to the theories laid down by Karl Marx. The Communist party was leading the government offices in Soviet Union and the leaders in the party were following a level known as ‘nomenklatura’ which helped them to access the resources of the state as they wished to (McCauley 2001 p. 86). A variety of factors led to the fall of the Communist State which have formed a debate amongst the historians. Many believe the sole factor of Afghanistan was enough to collapse the Soviet Union whereas opponents ar gue that a lot of other factors came into play along with the Afghanistan war which led to the collapse of the state. The major reasons for the collapse of the Soviet Union are cited as the Afghan intervention, the role of Poland, the varying prices of oil in the world and the reaction of the minorities to the government (Usitalo & Whisenhunt 2008). It has been found that the Soviet Union always had a conflict of interest with the West and this is the reason because of which the leaders had always aimed to excel from the west. The domestic problems along with the structural problems were the internal problems that the Union was facing because of which it underwent a political unrest. Tilly defines the collapse of the Soviet Union in the following words [O]ne of Europe’s more peculiar revolutions: the shattering of an empire and the dismantling of its central structure without the direct impact of a war . . . the costly stalemate in Afghanistan, itself a product of a hugely ex pensive Cold War with the United States, provided the closest equivalent to those earlier empire-ending wars† (Tilly 1993 p 231). In December 1991 the Soviet Union collapsed into fifteen independent countries. The West was victorious in disintegrating the nation and considered the collapse as a victory of capitalism over socialism. After the creation of Soviet Union it was seen that the leaders were implementing a plan through which they could unite all the nations of the Soviet Republic. To carry out such a plan the assimilation process began and Russian was taught to everyone. However more than fifty percent of the population living in the Soviet Union belonged to non Russian back grounds and it became difficult for them to assimilate with the newly laid principles. The economic policies of the state also failed which can be witnessed in the arms race that they had with the United States. The arms race with United States led to an economic turmoil for the country itself beca use of which they finally collapsed. The last leader of the country

Raghunath Prasad CASE Essay Example for Free

Raghunath Prasad CASE Essay Father and son equal owners of a vast joint family property – both quarrelled over it – Father instituted criminal proceedings against the son – In order to defend himself, the son borrowed money from the plaintiff at 24% compound interest and mortgaged his properties – In eleven years, the amount payable magnified more than eleven fold – Defendant contended that plaintiff/lender taking unconscionable advantage of his mental distress and exercised undue influence defendant failed to prove that the lender was in a position to dominate his will – Borrower got no relief. However, no presumption of undue influence in following cases and burden of proof lies on the party claiming as such 1. Landlord and tenant 2. Creditor and debtor 3. Husband and wife 1. This is an appeal from a decree, dated November 9, 1920, of the High Court of Judicature at Patna, which varied a decree, dated September 25, 1917, of the Subordinate Judge of Arrah. 2. The suit is for recovery of the amount of principal and interest due by the appellant to the respondents (the plaintiffs) under a mortgage of late May 27, 1910. The Subordinate Judge gave decree in the mortgage suit but only allowed simple interest. The High Court allowed compound interest. 3. The substantial question raised on the appeal is whether the appellant, in the circumstances proved in the case, fell within the protective provisions of Section 2 of the Indian Contract (Amendment) Act, 1899. It may be convenient to set that section out in full: 2. Section 16 of the Indian Contract Act, 1872, is hereby repealed, and the following is substituted therefor, namely: 16.(1) A contract is said to be induced by undue influence where the relations subsisting between the parties are such that one of the parties is in a position to dominate the will of the other and uses that position to obtain an unfair advantage over the other. (2) In particular and without prejudice to the generality of the foregoing principle, a person is deemed to be in a position to dominate the will of another: (a) where he holds a real or apparent authority over the other, or where he stands in a fiduciary relation to the other; or (b) where he makes a contract with a person whose mental capacity is temporarily or permanently affected by reason of age,  illness, or mental or bodily distress. (3) Where a person who is in a position to dominate the will of another, enters into a contract with him, and the transaction appears, on the face of it or on the evidence adduced, to be unconscionable, the burden of proving that such contract was not induced by undue influence shall lie upon the person in a position to dominate the will of the other Nothing in this sub-section shall affect the provisions of Section 111 of the of the Indian Evidence Act, 1872. 4. It is in the view of the Board by that section that the question arising between th ese parties falls to be settled, and not by reference to the legislation of other countries, e. g., the English Moneylenders Act. The statute to be here construed is the Indian Contract Act as amended. It is accompanied with danger to invoke as authority in an Indian case expressions which merely connote the principles which underlie a particular English statute, and form a guide to its interpretation. As will be seen this general observation is required by reason of the citation of certain authorities alluded to in the judgment of the Subordinate Judge and referred to in the argument before their Lordships Board. 5. The appellant is a member of a joint undivided family owning a property of considerable value, including inter alia, 186 villages, assessed to revenue for about Rs. 17,000 annum. 6. The mortgage is dated May 27, 1910. It is for the sum of Rs. 9,999 borrowed from the plaintiffs. The rate of interest is covered by the following provision: I, the declarant, do promise that I shall pay interest on the said debt at the rate of 2 per cent, per mensem on the 30th Jeth of each year. In case of non-payment of the annual interest, the interest will be taken as principal and interest will run thereon at the rate of 2 per cent, par mensem, that is, interest will be calculated on the principle of compound interest. 7. There can be no question that these terms were high: if payment was not made the sum due on the mortgage would speedily mount up. By the decree of the High Court which was pronounced on November 9, 1920, it is seen that the original debt of Rs. 10,000 had reached, with interest and costs calculated up to May 8, 1921, more than a lac of rupees, viz., Rs. 1,12,885. In eleven years the stipulation for interest at 24 per cent, compound had magnified the sum covered by the mortgage more than elevenfold. It is upon these facts, coupled with one other about to be mentioned, that the appellant takes his stand. 8. The statement in the defence admits that at the time of  the execution of the mortgage the defendant was owner of one half of a valuable joint famil y property. The owner of the other half was his father. Father and son had quarrelled. Serious allegations are made by the son against the father; whereas it appears that the father had instituted criminal proceedings against the son. Shortly before the date of the mortgage the defendant had borrowed Rs. 1,000 from the plaintiffs so as to enable him to defend himself in these criminal proceedings. It is alleged that they caused him great mental distress, and that he required more money to conduct his litigations. That is the story. 9. Evidence was taken in the case. It is sufficient to say that the defendants gave no evidence at all. It is quite plain that no Court can accept a story thus unproved by its author as establishing a case either of mental distress or of undue influence under the Indian Contract Act. The only case which the appellant has is the case derived from the contents of the mortgage itself. 10. It is argued with force that these are unconscionable, and that it is the duty of the Court in India to step in either to rescind the contract or to rectify the bargain. It was the latter course which was argued for in the present case. In support of this argument much reliance was placed upon the judgment pronounced by Lord Davey in Dhanipal Das v. Raja Maneshar Bakhsh Singh. (1906) L.R. 33 I.A. 118, s.c. 9 Bom. L.R. 304, 306. 11. Before, however, addressing themselves to the authorities cited their Lordships think it desirable to make clear their views upon, in particular, Sub-section 3 of Section 16 of the Indian Contract Act as amended. By this sub-section three matters are dealt with. In the first place the relations between the parties to each other must he such that one is in a position to dominate the will of the other. Once that position is substantiated the second stage has been reached, viz., the issue whether the contract has been induced by undue influence. Upon the determination of this issue a third point emerges, which is that of the onus probandi. The burden of proving that the contract was not induced by undue influence is to lie upon the person who was in a position to dominate the will of the other. 12. Error is almost sure to arise if the order of these propositions be changed. The unconscionableness of the bargain is not the first thing to be considered. The first thing to be considered is the relations of these parties. Were they such as to put one in a position to dominate the will of the other? Having this distinction  and order in view the authorities appear to their Lordships to be easily properly interpreted. 13. In the judgment of this Board in Dhanipal Das v. Raja Maneshar Bakhsh Singh, (1906) L.R. 33 I.A. 118. the outstanding effect was that the borrower who mortgaged the estate was actually, at the date of the transaction, under the control of the Court of Wards. He was treated, to use the language of Lord Davey, as under a peculiar disability and placed in a position of helplessness, and the lender was proved to have been aware of that and, therefore, in a position to dominate the borrowers will. Lord Davey thus expressed the Boards view (p. 126): Their Lordships are of opinion that although the respondent was left free to contract debt, yet he was under a peculiar disability and placed in a position of helplessness by the fact of his estate being under the control of the Court of Wards, and they must assume that Auseri Lal, who had known the respondent for some fifty years, was aware of it. They are therefore of opinion that the position of the parties was such that Auseri Lal was in a position to dominate the will of the respondent within the meaning of the amended Section 16 of the Indian Contract Act. It remains to be seen whether Auseri Lal used that position to obtain an unfair advantage over the respondent. 14. This case was followed in terms in the case of Maneshar Bakhsh Singh v. Shadi Lal (1909) L.R. 36 I.A. 96; in which the bond in suit was given by a talukdar in Oudh without the knowledge and consent of the Court of Wards after his estate had been placed under it. In these circumstances the former case was followed, and Lord Collins expressed the opinion of the Board to be that they are satisfied that in this case also the borrower was placed in such a condition of helplessness that the lender was in a position to dominate his will, and that he used that position to obtain an unfair advantage over the appelant. 15. It is sufficient to say that the borrower in the present case was sui juris, had the full power of bargaining and of burdening his estate, that his estate was not under the Court of Wards and that he lay under no disability. With regard to his helplessness nothing whatsoever is proved in the case except the bare fact that he being a man of wealth as owner of one-half of certain joint family property wished to obtain and did obtain certain monies on loan. The only relation between the parties that was proved was simply that they were  lender and borrower. 16. It is an entire mistake to represent the decisions of this Board as being wanting in light upon the last mentioned case. For in Sundar Koer v. Sham Krishen (1906) L.R. 34 I. A, 9, 16, the exact point was referred to by Lord Davey in the course of the judgment read by him (p. 16): There is no evidence of any actual exercise of undue influence by the mortgagees or of any special circumstances from which an inference of undue influence could be legitimately drawn, except that the mortgagor was in urgent need of money. The learned counsel for the appellant argued that the mortgagees wore thereby placed in a position to dominate the will of the mortgagor, and cited a recent decision of this BoardDhanipal Das v. Raja Maneshar Bakhsh Singh. In that case, however, the borrower was a disqualified proprietor under the Oudh Land Revenue Act, 1870, and his estate was under the management of the Court of Wards, and it was on that ground that their Lordships held that the borrower was under a peculiar disability, and the position of the parties was such that the lender was in a position to dominate his will. There is nothing of that kind in the present case, and their Lordships are not prepared to hold that urgent need of money on the part of the boriower will of itself place the parties in that position. 17. This precisely fits the situation of these parties. It has not been proved,it might be said that it has not even been attempted to be proved,that the lender was in a position to dominate the will of the borrower. 18. In these circumstances, even though the bargain had been unconscionable (and it has the appearance of being so) a remedy under the Indian Contract Act does not come into view until the initial fact of a position to dominate the will has been established. Once that fact is established, then the unconscionable nature of the bargain and the burden of proof on the issue of undue influence come into operation. In the present case, for the reasons stated, these stages are not reached. 19. Their Lordships think it right to observe that the judgment now pronounced is not in accord with the principles laid down by the Appellate Civil Court of Calcutta in Abdul Majeed v. Khirode Chandra Pal (1914) I.L.R. 42 Cal. 690. that where there is ample security, the exaction of excessiv e and usurious interest, in itself raises a presumption of undue influence which it  requires very little evidence to substantiate. Their Lordships think this decision to be wrong. There is no such presumption until the question has first been settled as to the lender being in a position to dominate the borrowers will. Their Lordships are further of opinion with reference to the citation of Smuel v. Newbold [1906] A.C. 461., that that case does not form any authority in the construction of the Indian Contract Act. The case was determined under the Moneylenders Act, 1900, as it expressly bears. The issue was thus stated by Lord Macnaghten (p. 468): It seems to me that the construction of the Moneylenders Act, 1900, is plain enough, and that the evidence before your Lordships is more than sufficient to show that this case is within the mischief which the Act was designed to remedy. 20. In the view of the Board cases of that character form no precedent for a decision of the present appeal which is rested on another and very differently worded statute. 21. Their Lordships are of opinion that the decree of the High Court should be varied by allowing compound interest on the principal at the rate of two per cent, per mensem from the date of the execution of the bond until September 25, 1917, and thereafter simple interest at the rate of six per cent, per annum up to the date of realization, and that in other respects the decree of the High Court should be affirmed, and they will humbly advise His Majesty accordingly. 22. The appellants will pay the costs of the appeal.

Conventions of Representation in Art

Conventions of Representation in Art Conventions in Art Throughout time, conventions of representation in portraiture dynamically transformed throughout history, considerably changing each artists genre of work supporting personal conventions portrayed in the time periods heavily varied. To an extent understanding, the change of convention in portraiture is crucial, allowing the society to move forward from all limitation from the past and extend its news innovation. Conventions of representation define as a set of a regulation of undertaking something. This allow the human society are signified in the art movement between intervals of time and places further describing an accepted way of representing something in a symbolic representation. Many periods of art depicted conventions of representations. The Renaissance; exemplified through the work of Leonardo da Vinci Vitruvian Man during the Renaissance period, portrayed the rebirth of Classical Greek and Roman ideas, Modernism; Neo-Expressionism, Edvard Munch The Scream thrived from the Modernist period of Neo-Expressionism primarily adapting the world solely from a subjective perspective evoking moods. and contemporary art; Feminism; the work of Barbara Kruger accentuates the conventions of Feminist movement conveyed through post-modern techniques. Thus, through the adaptions of conventions of representations in portraiture, it dynamically altered through history in works of these artists. Portraiture has changed throughout history simply the wide range of materials utilised in the early years of art throughout the contemporary society thus changing the conventions of representation. This is described through the imperative notions of culture depicted in Renaissance Greek era which was extensively prevalent and mastered with the widespread forms of art during the periods of Renaissance, Modernism and contemporary. Representations in Egyptian shadowed strict traditions Frontalism. Every example of Egyptian art strictly highlighted in this style. This is portrayed where the head of the character is always symbolised to the side, a right angle to the body, while the body is perceived from the front. The eyes are portrayed in the front side perspective as Egyptians valued the eyes more than anything else, valued in highly on prosperity, adolescence and well-being. Ancient Greeks also had a fascination with portraiture, mostly in its sculpted form. This is indicated by the Golden Ratio used to create aesthetics and visual harmony, based on the idea of mathematical equations and science to create perfected, idealised proportions. This can be demonstrated through The Parthenon of a mathematical approach. The creations of Greeks strongly portrayed the success of their society; strong athleticism, philosophy or power. The Renaissance between 1400-1600 revamped portraiture in its modern sense and is an essential. Predominately portraying nobles, and religious figures. This was a period of the Rebirth of Classical Greek and Roman ideals. Also, utilising the idea of perfect and idealised proportion, adapting to the convention of maths and science to create beauty, perfection and religious ideals. Conventions of representations were highly significant in Renaissance art. The conventions during Renaissance represented their way of life, this was often portrayed in many religious paintings. It was a way to characterise of cultural traits. The idea of the concept is signified in the convention of oil painting. Oil painting was extremely implemented in Northern Europe during the early fifteenth century, later becoming popular in the late century. A slow drying process, allowing modification while its drying procedure. This allowed an artist to create luminous effects because oil could be applied lightly. Oil painting allowed the ability to paint with a more dominant variety of colours which allowed to further explore and visualise human figures, architecture and natural environment in a realist aspect. This was often utilised with well-known Renaissance artists such as Leonardo da Vinci and Michelangelo. Renaissance artist also had a volume of knowledge on the fundamentals, anatomy, composition, line, light and shadow as well as having the artistic mind of creating a scene to emphasise the perfection and beauty. The optical linear perspective was exceedingly used to create a high central depth by shadows and interposition, and a depth of emotion which suggests human feeling instead of static and passive icons. The Renaissance brought back the idea of figures being realistic, using new ideas about maths and science to these realistic figures. More so, It also represented idealised figures such the work of Michelangelo The Creation of Adam demonstrating strength and power of society, often embodying religious figures and ideals. Major issues occurred during the Renaissance period. A factor was the Protestant Reformation throughout the 16th century in Europe removing its tradition of Catholic art. A new artistic practice developed, followed Protestant tradition and divided drastically from the southern European tradition and art produced during the High Renaissance. More so, the Catholic Counter-Reformation both reacted against and responded to Protestant reproaches of art in Roman Catholicism to produce style of Catholic art. Both countries later expanded into secular forms of art, history, landscape, portraiture and still life. Through the influence of this concern, this created massive tension between notions of art. The influence of the Wars of Religion transformed the way of Renaissance artist viewed their religious ideals. In the work of Leonardo da Vinci Vitruvian Man the pen and ink illustration, exemplifies this concern representing the conventions of the Renaissance period. Famous artwork portraying the study of the male human proportions. Da Vinci symbolises the combination of science, mathematics and art to represent of his vision of the world attempting to create perfect proportions of the male in myriad forms of geometric shapes. The Golden Ratio and Fibonacci is both a mathematician concept to contributing to the perfect ratios and proportional sizes of the human body. This concept represents the conventions as during this period many artist and audience viewed their perfections in the anatomy and perfect idealised body. For many this, many of high class religious patrons highly valued the satisfactory of these works paying high amounts of money to be displayed in religious areas (churches, chapel). Thus, through this idea it significantly demonstrates the conventions of representation in port raiture. Furthermore, during the modernist period, Neo-Expressionism was a modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. An idea to present the world exclusively from an independent perception, distorting it radically for emotionally effect to evoke attitudes or idea. Neo-Expressionist artists sough to express denotation or emotional experience rather than physical authenticity. An inspired movement by the Symbolist currents in late 19th century. Fin de Siecle was a major influenced on the way he views the world trailing his downfall. A period of degeneration but also of a new beginning of new global economic and political system. This movement affected many European countries and artist. More so, The Industrial Revolution Turn of the Century in Europe, shifted in artistic styles and create major changes of the society. Innovative technologies and immense urbanisation efforts reformed the individuals perspective, and artists replicated the psychosomatic impact of these developments rendering into artworks. The work of Edvard Munch Scream exemplifies fin-de-siecle feels of remoteness, disillusionment and phycological anguish conveyed through distorted forms. An icon and a metaphor of mans existential loneliness and angst. Throughout his life, Edvard Munch struggled with anxiety through personal levels. His mentally ill sister was hospitalised during The Scream was painted in 1893. This damaged Munch in myriad of individual ways, undergoing both physical and mental suffering in the modern age and thus representing his ideas through this painting. This sparked the emotions demonstrated in this work executed with pastel and crayons to create these exaggerated, harsh, gloomy colours highlighted in the rough expressionistic lines and swirling, swaying and exaggerated brushstrokes. Thus, through this work supports the idea of conventions of representations are significant in different periods of time and events occurring. In addition, contemporary arts conventions are significant. Contemporary art is the art of today, the twenty-first century. The change of innovations allows artist to move on from the past and allow new technology to create new styles. Feminist art, an aim to make the audience question the social rules of society hoping to make a change to women society, Womens Right Movement. This statement can be reflected upon all the audiences of men and still today this has not been achieved. If often use Post-modern techniques; humour, appropriation, parody, sarcasm and a unique political statement. Barbara Kruger, Untitled (Your Body is a Battleground) demonstrates this concept, conveying a political message. The two halves of the image, the negative and the positive interpretation, emphasise the dual nature underlying of matter. The feminine figure becomes a combat zone that women both struggle for. The advancement of technology in the contemporary society allowed Kruger to create a graphic design, phrases to catch the viewers attention using the language of contemporary publications. Kruger changes the way women have been traditionally depicted for centuries by artists as sex symbols who are dominated by men.ÂÂ   The message addresses the issue of the continued feminist struggle, connecting the physical body of female views necessitate the feminist demand. Kruger utilises the appropriation of images from their original context in magazines and sets them as the background against which she illustrates expressive phrases. The use confronting of red, white, and black, each element of the final artwork is crucial to its effectiveness as a significant protest. Through this artwork, Kruger evoke an immediate response for the audience highly from the opposite gender. The creation of digital art conjures a larger audience to create an implication, expanding the demand shared in social media platforms to a larger social and cultural response. In conclusion, each phase of historical period exerted distinctive styles of work. The change of convention in portraiture is vital, consenting humanity to advance from all constraints from the past and outspread its innovation. Through the artworks of Vitruvian Man, Scream, and Untitled (Your Body is a Battleground) it demonstrates a clear understanding of the difference of convention utilised between the unique eras. Each era had a distinctive philosophy. Different problematic concerns continued to influenced society influencing artists whether its emotionally or physically, thus rendering into paintings to explore notions. Conventions of representation in portraiture vigorously reformed, as the world is constantly is changing mythology, hence conventions modify.

The Scarlet Letter Essay -- essays research papers

In the novel, The Scarlet Letter, Nathaniel Hawthorne discusses the issues of guilt, pain, and truth. For many people, it is hard to accept the faults of their own failures. Most do not acknowledge the reality of their lives, and wind up suffering for their mistakes. Guilt and Sin are bad and also cause pain. Hester Prynne endures in agony and pain because of the mistake she made. In the novel, Hester rarely gives up hope. Through her suffering, Hester maintains to keep her dignity. Hester is admired because of her strong will, and her ability to ignore other's views of her. "In a moment, however, wisely judging that one token of her shame would but poorly serve to hide another, she took the baby on her arm, and, with a burning blush, and yet a haughty smile, and a glance that would not be abashed, looked around at her townspeople and neighbors† (Hawthorne 50). The townspeople had no right to determine Hester’s punishment. God can only make this type of judgment. She also expresses her best qualities when she stands up to Governor Bellingham, and she confronts him about Pearl. Hester, being proud, headstrong, and confident, faces him successfully and convinces Governor Bellingham into letting her keep Pearl. She is not afraid of much in her life, especially for standing up for her family. She gains knowledge each day of her life and continues to live a fierce life. â€Å"This badge hath taught me—it daily teaches me—it is te aching me at this mom...

Antisocial Personality Disorder Essay -- Health Medical Pscyhology Dis

Antisocial Personality Disorder They are your neighbors. They are your friends. Maybe they are even your family. You talk with them often, and have even had them over for dinner on occasion. Perhaps your children play in the same playground or spend time in the same social group. Although you have noticed some quirks and idiosyncrasies, you would never know the difference, and you would never expect the worst. After something bad happens that draws your attention to them, you have been forced to accept the truth: someone you know has Antisocial Personality Disorder. Antisocial Personality Disorder is a personality disorder recognized within the American Psychiatric Association’s Diagnostic and Statistical Manual. This disorder is a lifelong infliction that affects more men than women. An approximate six percent of men and one percent of women in the United States population are considered â€Å"sociopaths† or â€Å"psychopaths† (Wood). In order to be diagnosed with this disorder, the individual must be at least eighteen years old, but the antisocial behaviors must have occurred in the individual by age fifteen. According to Dr. Luchiano Picchio, an individual diagnosed with this disorder is marked by an â€Å"inability to social norms involving many aspects of the patient's life† (Picchio). As listed within the Diagnostic and Statistical Manual version Four (DSM-IV) (2000), the diagnostic criteria for Antisocial Personality Disorder are: (1) failure to conform to social norms with respect to lawful behaviors as indicated by repeatedly performing acts that are grounds for arrest; (2) deceitfulness, as indicated by repeated lying, use of aliases, or conning others for personal profit or pleasure; (3) impulsivity or failure to plan ahead; (4) irritability and aggressiveness, as indicated by repeated physical fights or assaults; (5) reckless disregard for safety of self or others; (6) consistent irresponsibility, as indicated by repeated failure to sustain consistent work behavior or honor financial obligations; and (7) lack of remorse, as indicated by being indifferent to or rationalizing having hurt, mistreated, or stolen from another (American Psychiatric Association [APA], 2000, p. 701). The typical psychopath hits his prime in his twenties, and eventually lessens his socially unacceptable acts by his forties (Black, 2000). He will probably come across as c... ...ity Disorder is a serious disorder experienced by many men and women every day. Although those inflicted by the disorder can lead normal lives and usually do, they can be considered dangerous, and those spending time around them should pay close attention to both their own safety and the safety of the sociopath. After all, as William and Joan McCord stated in The Psychopath, â€Å"Psychopathy, possibly more than other mental disorders, threatens the safety, the serenity, and the security of American life† (Olsen 1984, p. 191). Works Cited: American Psychiatric Association. (2000). Diagnostic and Statistical Manual. Washington D.C.: Author. Black, D. (2000, November 25). What is antisocial personality disorder? Psych Central. Retrieved April 21, 2004, from http://psychcentral.com/library/asp_general.html Olsen, J. (1984). Son. New York: Atheneum. Picchio, L. (n.d.) Antisocial personality disorder. Dauphin County RADAR. Retrieved April 14, 2004, from http://dcradar.org/doctors/picchio_0501.html Wood, D. (n.d.) What is antisocial personality disorder? Mental Health Matters. Retrieved April 21, 2004, from http://www.mental-health-matters.com/articles/print.php?artID=51

Conduction Toturial

Tutorial 1 (Conduction and Convection) 1. Consider a composite structure shown on below. Conductivities of the layer are: k1 = k3 = 10 W/mK, k2 = 16 W/mK, and k4 = 46 W/mK. The convection coefficient on the right side of the composite is 30 W/m2K. Calculate the total resistance and the heat flow through the composite. (0. 46, 173. 9 W) 2. Consider a 1. 2-m high and 2-m-wide glass window whose thickness is 6 mm and thermal conductivity is k= 0. 78W/m. 0C.Determine the steady rate of heat transfer through this glass window and the temperature of its inner surface for a day during which the room is maintained at 24 0C while the temperature of the outdoors is -5 0C. Take the convection heat transfer coefficients on the inner and outer surfaces of the window to be h1= 10 W/m2 . 0C and h2 = 25 W/m2 . 0C and disregard any heat transfer by radiation. (471W, 4. 40C) 3. Consider a 1. 2-m-high and 2-m-wide double-pane window consisting of two 3-mm-thick layers of glass (k=0. 78 W/m . 0C) separa ted by 12-mm-wide stagnant air space.Determine the steady rate of heat transfer through this double-pane window and the temperature of its inner surface for a day during which the room is maintained at 24 0C while the temperature of the outdoors is -50C. Take the convection heat transfer coefficients on the inner and outer surfaces of the window to be h1=10 W/ m2 . 0C and h2 = 25 W/m2 . 0C and disregard any heat transfer by radiation. Given also k air = 0. 026 W/ m . 0C (114W, 19. 20C) 4. A cylindrical resistor element on a circuit board dissipates 0. 5W of power in an environment at 400C. The resistor is 1. 2 cm long, and has a diameter of 0. 3cm. Assuming heat to be transferred uniformly from all surfaces, determine (a) the amount of heat this resistor dissipates during a 24-h period, (b) the heat flux on the surface of the resistor, in W/m2 and (c) the surface temperature of the resistor for a combined convection and radiation heat transfer coefficient of 9 W/m2 . 0C. (3. 6 Wh, 1 179 W/m2, 1710C) 5. Water is boiling in a 25-cm-diameter aluminum pan (k=237 W/ m . 0C) at 95 0C.Heat is transferred steadily to the boiling water in the pan through its 0. 5-cm-thick flat bottom at a rate of 800 W. If the inner surface temperature of the bottom of the pan is 1080C, determine (a) the boiling heat transfer coefficient on the inner surface of the pan, and (b) the outer surface temperature of the bottom of the pan. (1254 W/m2 . 0C, 108. 30C) 6. Steam at 320 0C flows in a stainless steel pipe (k= 15 W/m. 0C) whose inner and outer diameters are 5 cm and 5. 5cm, respectively. The pipe is covered with 3-cm-thick glass wool insulation (k= 0. 38 W/m. 0C). Heat is lost to the surroundings at 50C by natural convection and radiation, with a combined natural convection and radiation heat transfer coefficient of 15 W/ m2. 0C. Taking the heat transfer coefficient inside the pipe to be 80 W/m2. 0C, determine the rate of heat loss from the steam per unit length of the pipe. Also det ermine the temperature drops across the pipe shell and the insulation. (93. 9 W, 0. 095 0C, 290 0 C) 7. Consider a 8-m-long, and 0. 22-m-thick wall whose representative cross section is as given in the Figure 1.The thermal conductivities of various material used, in W/m. 0C, are kA=kF=3, kB=10, kC=23, kD=15 and kE=38. The left and right surface of the wall are maintained a uniform temperatures of 3000C and 1000C, respectively. Assuming heat transfer through the wall to be one-dimensional, determine (Given Rcond = x/kA and Rconv = 1/hA) a) The rate of heat transfer through the wall. b) The temperature at the point where the sections B, D and E meet. c) The temperature drop across the section F. (6453. 0075 W, 259. 59380C, 134. 22220C)